Guillermo del Toro’s Pinocchio ends with a powerful message about love, sacrifice, and acceptance. The film’s unique narrative and themes set it apart from other adaptations.
Released on Netflix in December 2022, this stop-motion animated film explores deep themes like mortality, disobedience, and father-son relationships. Set in 1930s Italy during the rise of fascism, it offers a fresh take on the classic tale.
Overview of the Film
The story begins with Geppetto, a woodworker, losing his son Carlo during a bombing raid in World War I. Grieving, Geppetto carves a wooden puppet, Pinocchio, from the tree that grew over Carlo’s grave. This act of creation is filled with sorrow and longing, setting the tone for the film’s exploration of loss and the desire for connection (source).
Pinocchio is brought to life by the Wood Sprite, who gives him a spirit that is both mischievous and innocent. Unlike previous adaptations, del Toro’s Pinocchio does not seek to conform to societal expectations. Instead, his disobedience becomes a central theme, positioning him as a hero who challenges the oppressive norms of the adults around him, many of whom are depicted as fascists (source).
The Climax and Ending
The climax occurs when Pinocchio faces a life-threatening situation while trying to save Geppetto from a giant fish. In a dramatic turn, Pinocchio sacrifices himself to save his father, resulting in his death from a landmine explosion. This moment underscores the film’s exploration of love, sacrifice, and the essence of humanity (source).
But Pinocchio’s journey does not end with his death. He encounters Death, who offers him a choice: give up his immortality to return to life and save Geppetto. This decision marks a significant departure from traditional narratives, where characters often seek to become “real” through conformity. Del Toro’s Pinocchio asserts that one does not need to change fundamentally to be loved; rather, it is the acceptance of one’s true self that matters (source).
Upon returning to the living world, Pinocchio’s actions lead to a reconciliation with Geppetto. In a poignant moment, Geppetto finally expresses his love for Pinocchio as he is, rather than as a replacement for Carlo. This acceptance signifies Geppetto’s transformation throughout the film, moving from grief and longing for perfection to unconditional love (source).
Themes and Symbolism
Del Toro’s Pinocchio is rich with themes that resonate deeply with contemporary audiences. The film’s anti-fascist undertones are particularly striking, as it critiques the authoritarian structures that seek to suppress individuality and creativity. Pinocchio’s journey is emblematic of the struggle against oppressive societal norms, making disobedience a virtue rather than a vice (source).
Moreover, the film scrutinizes the nature of mortality and the human experience. Pinocchio’s repeated deaths and resurrections serve as a meditation on life, love, and the inevitability of death. The final scenes, where Pinocchio witnesses the passing of those around him while he remains, highlight the bittersweet nature of existence. This philosophical exploration is encapsulated in the film’s closing line, delivered by Sebastian J. Cricket: “What happens, happens, and then we’re gone” (source).
Conclusion
Guillermo del Toro’s Pinocchio is a masterful reimagining of a classic tale, offering a narrative that is both visually stunning and thematically profound. The film’s ending, which emphasizes love, acceptance, and the importance of being true to oneself, sets it apart from previous adaptations. By intertwining personal loss with broader societal critiques, del Toro crafts a story that resonates with audiences of all ages, encouraging reflection on the nature of humanity and the value of individuality.
In a world where conformity is often celebrated, Pinocchio serves as a reminder that true worth lies in authenticity and the courage to defy expectations. This adaptation not only honors the original tale but also elevates it, making it relevant for modern viewers and ensuring its place in the pantheon of animated classics.
